STCR Update: Autumn 2014 — The Rap Research Lab.

This recent Summer I didn’t have time for a much of a vacation because from April to August, I’d been playing the roles of facilities manager, director of technology, principal and teacher.

I recently graduated my first cohort from the Rap Research Lab, a school that I started in the South Bronx focussed on teaching art, design, cultural analysis, media criticism, data mining and data visualization to teens using my project based curriculum that visualizes Hip Hop as a cultural indicator.

Student research projects included: a rapper net worth calculator, a comparison of actual crime rates versus the rate of crime appearing in lyrics, 8 types of definitions found in rap of the “N-word” and the comparison of the sentiment analysis of lyrics from Brooklyn and Compton.

The link to the student research Tumblr with final projects is here.

The assessment of the pilot program is complete and I’m now formalizing what I taught while forming partnerships with organizations that will help make the classroom workflow a more seamless and enriching experience. Next steps are to implement the Rap Research Lab this Spring as a 10 week after school program with an additional instructor in order to begin the process of teacher training. I’m doing all of this with the goal of scaling up and rolling out the curriculum to other institutions.

I’m looking to be connected with people that are receptive to the work I’m doing based at institutions that can provide support.

The student projects were covered on Gawker.

Let me know what you think.

T

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Picasso Baby.

Picasso Baby!

I’ve just finished a new network graph that visualises the connections between rappers and the modern & contemporary painters they name drop in their rhymes.

Spanning 1979 – 2014 the graph gives a glimpse of the historical relationship that rappers have to the artistic mastery of Pablo Picasso, the perceived archetypal divisiveness of Yoko Ono, the ever present Jay-Z factor and the recent increasing popularity of Jean-Michel Basquiat.

The interactive version of the graph is here

Rap Geeks submit a correction here

Rap Fans pre-order the poster here

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Staple Crops Update: Spring 2014 — Stay Chiseled.

Hi Fam.

It has been a while since my last confession. I should probably make these updates more frequent but I don’t because SPAM.

For someone who lives in The Bronx I spend way too much time in The Brooklyn – center of my social life since my teenage years.

To my Brooklyn fam who complain about the effect of gentrification on the city of New York may I suggest that you take an afternoon and visit The Bronx — a county in many ways still firmly set in 1992.

#TrueYork

Since my return, The Bronx has been a perfect place to Stay Chiseled.

I’ve opened the doors to the Rap Research Lab — which serves as a studio for the production of creative technology projects and a lab for teaching art, design, data analysis and datavis to students using my project based curriculum that visualizes Hip Hop as a cultural indicator.

(Those iMacs you see in the photo were donated by3rd Ward !!! #GiveThanks)

Basically, I got fed up with waiting for the perfect combination of resources and decided to use my own with experience from teaching at Eyebeam Art & Technology Center, Harvard University, Pratt Institute, Benjamin Banneker High School, Edenwald Community Houses and the Queens Museum of Art to build a One Room School House. Contact me to find out how you can back this DOPE ASS project. #WuTangIsForTheChildren

Over the past year I’ve been in academic fellowship / mad scientist / creative research mode. Now that I’m back in these streets I could use some fresh eyes to look at all the new assets I’ve had developed. Especially in relation to business development. #SipAndChat

I donated a serigraph from my Video Music Box Shout Out Series to The Horticultural Society of New Yorkfor the June 11th Block Party. I’m happy to be in the company of such great artists — all to benefit the greenhouse program on Riker’s Island. Get your tickets here: http://bit.ly/thehort

On June 13th I’ll be presenting project updates to world class developers, data scientists and infographic designers in Minneapolis at the Eyeo Festival.

My light sculpture project (warmly renamed by the internets as Mapper’s Delight) was recently included in the MIT DOCUbase.

Grant McCracken wrote an interesting piece about my project a couple of months ago read it here.

That is all for now. Thanks for your eyeballs. Forward widely.

Be Well,

Tahir

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STCR Update: Winter 2013 — Maximum Distance. Minimum Displacement.

This year began with a fellowship at Harvard, closed with one at Carnegie Mellon and after 14 months on the road I’m back in NYC, living in the South Bronx.

The funny thing about NYC is that a lot of people didn’t even realize that I was gone. A combination of social media, international press (#humblebrag) and popping in for the right party will pretty much keep you in “Where’ve you been? I haven’t seen you out in a while. You must be super busy.” status with super busy New Yorkers.

While living in Cambridge and Pittsburgh I was able to let go of that part of the NYC Edge that’s unuseful anywhere outside of NYC. But after a few weeks I feel it slowly seeping back into my flesh.

“She asked how come I don’t smile. I said, everything’s fine, but I’m in a New York state of mind.” -Rakim

My Fellowship at The STUDIO For Creative Inquiry at Carnegie Mellon University was super productive. The many modular successes culminated in an art project involving rap, robots and long exposure light drawings that plot a rapper’s mentions of geographic locations:
http://bit.ly/rapandrobots

I’m still working on getting all of these new cool features wrapped up and deployed into a public online version that will see light of day very soon.
#InProduction #ModularityInDesign

My South Bronx residency has started nicely with a new printmaking series of Video Music Box shout-outs. The first group are transcribed from the holiday shout outs in this unearthed director’s cut: http://bit.ly/vmbshoutouts
#RogueArchivist

Be well,

T

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Maximum Distance. Minimum Displacement.

Missy Elliot

Inspired by Pablo Picasso’s light pen drawings Maximum Distance. Minimum Displacement. uses abstracted semantic rap data to create sculptural forms with light. The forms represent the distance travelled by the lyrics in each song.

(Brief) Methodology: I used the Hip Hop Word Count’s new semantic analysis results to extract all geographic mentions from the complete bodies of work of 12 rappers. These locations were translated into geo coordinates which were then made into points that plotted the robot arm’s movements. The robot arm drew each path while holding a light pen.

More documentation to come.

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STCR Update: Summer 2013 — Vagrancy.

My Peoples.

In the past 20 days I’ve attended a family BBQ in Atlanta. Moved my apartment from Cambridge into a Brooklyn storage facility. Caught a bus to Washington, DC to present at the Art of Social Change Hiphop Education conference. Flew from DC to Pittsburgh to setup my fellowship at Carnegie Mellon University. Then back to NYC to catch a train to Williamstown, MA to participate in the artist-genius-marathon also known as the Creative Capital Retreat. Then back to NYC for 2 days rest with a necessary trip to the Russian Bath House. And now I’m back in Pittsburgh where I’ll be living for the rest of the Summer. Tahero’s East Coast Tour.

Maximum Distance. Minimum Displacement.

And irony is that I did this to myself. The logical completion — to make color coded appointments fit efficiently in iCal triggers my brain’s reward circuitry but the actual physical completion of the tasks is another. separate. thing.

The tension between the digital and the physical is a marker of this Gypset Lifestyle that I’m glad to have the opportunity to experience and take notes on.

#CyborgShit

While in Cambridge, in addition to working on the Hiphop Word Count as a Research Fellow at The Du Bois Institute at Harvard (btw all songs are now tagged for gender), I co-taught the course AAAS 143: Representing Blackness: Media, Technology, and Power in Hip-Hop Culture.

After teaching the origin story of how the database came into existence, the technology used to build it, how the database could be used for research and the philosophical and ethical questions inherent in the task of visualizing Hiphop as a cultural indicator; we then workshopped each student’s research topic. & they rocked their final papers.

As a followup the Hiphop Archive at Harvard has asked me to use my database to produce an educational tool — one of many satellite projects of the Hip Hop Word Count that I’ve been eager to get started.

I am now in Pittsburgh as a fellow at The Frank-Ratchye Studio for Creative Inquiry at Carnegie Mellon University. I’ll be here working for the Summer in the fabrication labs with 3D printers, CNC router cutters and laser cutters creating sculptural representations of the Hiphop Word Count data — another HHWC satellite project that I’ve been eager to get started.

I suppose my Fall Update will cover adventures in The ‘Burgh.

This happened. #TalkSlowThinkFast

Oh!

I made this mixtape called Bright Moments. It’s nice. It’s all about #LoveShit

Enjoy.

Deuces // Holler // Get at me, Tahir

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